A series in three

ENGRAM

The trace an experience leaves behind. Not the feeling. The change it makes in you.

Synthia Rowshan Jahan · Dec 2025 – March 2026

Three paintings, made across one winter into spring. A storm, the trace it leaves, and what returns after. Each was filmed as it was made, so the work can be seen becoming itself.

Engram I

What stays beneath

2026 · acrylic & mixed media on canvas · 30″ × 24″
Engram I, blue water, water lilies and a distant sail. Acrylic on canvas by Synthia Rowshan Jahan.

Some petals carry traces of their colour even after drying. Pigments remain in the tissue long after the bloom has passed. Here they float, like memory itself, fragmented, suspended between what was and what continues.Nothing disappears. It integrates.

The process · film
[ Engram I process film ]
Engram II

Tracing memories

2026 · ink, acrylic & mixed media on canvas
Engram II, a woman with a hibiscus at her heart, a second figure in gold outline. Acrylic on canvas by Synthia Rowshan Jahan.

The physical trace memory leaves behind. Not the feeling. The changed synapse. One figure whole, one becoming outline, present and dissolving in the same breath.The experience doesn't vanish. It rewrites the architecture of what you are.

The process · filmed Feb 28
[ Engram II process film ]
Engram III

After the rain

2026 · acrylic & mixed media on canvas
Engram III, bare trees, small firs growing back, a faint rainbow and a crane. Acrylic on canvas by Synthia Rowshan Jahan.

After the rain, the growing things return. Branches remember how to reach, and the storm becomes the water that feeds them. Hurt and healing and growth, nothing is separate, everything needs another.This is how it returns.

The process · filmed March 24
[ Engram III process film ]

Nothing is lost in the storm. It settles beneath, it changes the architecture, it waits for the rain to pass. What stays does not disappear. It integrates. This is how it returns.

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